Posen sowie Make-up entsprechen ebenso dieser Zeit.
Genauso wie in einem Film spiegelt jede Photographie eine Filmszene wider oder wie es der Kritiker Luluc Huang beschreibt:„the filmic possibilities of the photographic frame”.
Die oft gepriesene malerische und enigmatische Schönheit von Yang Fudongs Arbeiten ermöglicht es dem Betrachter, sich der Komplexität der Thematik und den Erfahrungen des Künstlers zu nähern.
sammlung-bruehe.comThe poses as well as the makeup reflect the fashion of the 1930’s.
Just like a film International Hotel’s ten photographs represent a scene each or as the critic Luluc Huang has suggested, “the filmic possibilities of the photographic frame”.
The often praised painterliness and enigmatic beauty of Yang‘s work allows the observer to develop a feeling for the complexity of the topic and the artist‘s experiences.
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