Wenn in den letzten Jahren wie bei Werken von Fiona Tan und David Claerbout, die beide ebenfalls sehr exakt an der medialen Schnittstelle von Fotografie und Film arbeiten, von der Rückgabe der Zeit an das fotografische Bild gesprochen wurde, so war damit vor allem die Auswirkung einer Übertragung eines fotografischen Bilddenkens in das Medium Film gemeint.
Exemplarisch filmte Fiona Tan bei ihrem Projekt "Countenance" (2002) Menschen, die wie für eine Fotografie posierten.
www.kemsa.deWhen in recent years there has been talk of the element of time being returned to the photographic image, for example with reference to Fiona Tan and David Claerbout, both of whom likewise work squarely on the media interface between photography and film, what was meant was chiefly the effect of translating a photographic way of conceiving a picture into the medium of film.
Exemplary here was the way Fiona Tan filmed people posing for a photograph for her project Countenance (2002).
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