Bill Frisell, Fred Frith, Arto Lindsay und Marc Ribot waren Gitarristen, die über die Mauer blickten und angesichts zunehmender gestalterischer Tabulosigkeit alles ausprobierten.
Lärm, Dekonstruktion, Ironie wurden Gestaltungsmittel, ebenso Reduktion, Skelettierung, die Ausweidung des musikalischen Materials.
www.moers-festival.deand, finding that artistic taboos were disappearing rapidly, tried out anything and everything.
Noise, deconstruction and irony became means of artistic expression, as did reduction, skeletonization and the evisceration of musical material.
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