Moholy-Nagy konnte nicht ahnen, dass Sinti und Roma schon wenige Jahre später ebenso wie die europäischen Juden im Fadenkreuz der NS-Vernichtungspolitik stehen sollten.
Ganz anders die Meisterin der filmischen NS-Propaganda Leni Riefenstahl:
Sie plante ab 1934 die Verfilmung der Oper Tiefland von Eugen d'Albert, basierend auf einem der von Adolf Hitler bevorzugten Werke Richard Wagners.
www.goethe.deMoholy-Nagy could have had no idea that in only a few years the Sinti and Roma, like the European Jews, would come into the crosshairs of Nazi extermination policy.
It was quite different with the mistress of the Nazi propaganda film, Leni Riefenstahl.
In 1934 she began to plan the filming of Tiefland (Lowlands), an opera by Eugen d'Albert, based on a work by Richard Wagner, Adolf Hitler's favorite composer.
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