Mitte der achtziger Jahre wurden unter dem Einfluss von elektronischer Tanzmusik die Stücke endgültig melodischer, die Phase des Noise-Industrials ging bis spätestens 1985 zu Ende.
In den achtziger Jahren brachte er die Erfahrungen der österreichischen Sozialpartnerschaft in die damalige internationale Neo-Korporatismusdiskussion ein.
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