Anhand der die weißen Abhänge hinabstürzenden Silhouetten der Skifahrer stellt er die Spuren der militärischen und industriellen Vergangenheit der Gegenwart gegenüber, die diese Spuren verdeckt.
Das Bild, das der Film entwirft:Der Mensch zähmt die Natur nur, um besser seinem Verderben – und zwar in Schussfahrt – entgegenrasen zu können."
www.arsenal-berlin.deUsing the silhouettes of the skiers plunging down the white slopes, he juxtapos es the traces of the military and industrial past with the present, which conceals these traces.
The picture conveyed by the film is that man tames nature only in order to be able to plunge toward his ruin – straightaway and without braking."
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